Agnolo di Cosimo (Italian: [ˈaɲɲolo di ˈkɔːzimo]; 17 November 1503 – 23 November 1572), usually known as Bronzino (Italian: Il Bronzino [il bronˈdziːno]) or Agnolo Bronzino, [a] was an Italian Mannerist painter from Florence.

Il Bronzino (born November 17, 1503, Florence [Italy]—died November 23, 1572, Florence) was a Florentine painter whose polished and elegant portraits are outstanding examples of the Mannerist style.

2024年11月6日 · Agnolo di Cosimo, known as Bronzino, was a leading Italian Mannerist painter, renowned for his refined portraiture and elegant style. Active primarily in Florence, Bronzino worked as the court painter for the powerful Medici family, capturing their likenesses with remarkable precision and a cool, polished aesthetic.

Agnolo di Cosimo (called Bronzino) was the leading painter of mid-16th-century Florence. According to Vasari he is the boy on the steps in his teacher Pontormo's 'Joseph with Jacob in Egypt', also in the National Gallery.

By 1540, Pontormo’s student Agnolo Bronzino (1503–1572) had become the leading artist working in this style in Florence and court painter to Cosimo I de’ Medici, grand duke of Tuscany.

Agnolo Bronzino, born Agnolo di Cosimo but most commonly referred to as Bronzino, was a stand-out artist of the second-wave of Italian Mannerism in the middle of the 16th century.

2018年5月21日 · Bronzino, Agnolo (1503 – 1572) A painter of Florence, Agnolo di Cosimo earned his nickname of Bronzino from his dark, “ bronzed ” complexion. He was the adopted son of the painter Jacopo Pontormo, whose pupil he became and who had a strong effect on his style.

Bronzino (Agnolo di Cosimo Tori) was one of the greatest artists of Mannerism, known for his portraits. His life and major works.

Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish...

Bronzino was a poet as well as a painter. He achieved fame and renown in his own lifetime in addition to the respect of his contemporaries and was one of the most influential figures in the Accademia del Disegno, which he cofounded in 1563, as well as in the city’s intellectual circles.