Defying the convention of massive orchestral scores, Matthew Sweet looks at the films that embrace the intimacy of chamber music for their soundtracks.
F ive years ago, when Rufus Wainwright began composing Dream Requiem — an epic orchestral work “for the people we have lost ...
Jared Leto hasn’t shed a tear since 2006—or so he claimed during a recent BBC Radio 2 interview. Read on to learn why this happened.